


A history of continental postmodernist philosophy, Emily Eakin’s The Frenchmen is “gossipy and personal and completely fascinating.”
Dan Simmons’ Ilium, a sci-fi retelling of the Odyssey, uses “copious amounts of wit to keep the action grounded.”
A Montrealer’s memoir of two decades in bin collection, Trash! is “full of unexpected if sometimes pungent surprises.”
Taipei People, by Pai Hsien-yung, is “among the most exquisite stories of all of modern Chinese literature.”
The final installment of Colson Whitehead’s Harlem-set crime trilogy, Cool Machine is “a heavyweight New York novel.”




























