JC Olivera/Getty ImagesAmericans in the years 2011 to 2016 — not the coastal media types watching Girls or Silicon Valley on HBO, but the 10 million-plus watching CBS Thursday nights — were exposed to a tutorial on the emerging field of artificial intelligence. Consider some Person of Interest plot points in what its creator called a “cyberpunk procedural”: - The AI, called The Machine, deciphers written and spoken speech and predicts our actions.
- Its acolytes engage in a gunfight to seize gaming consoles for their GPUs.
- Its malignant AI rival, thirsty for energy, launches a daring large-scale theft of generators.
With the AI boom, the show is having a moment despite the other big hits of creator Jonathan Nolan. For starters, he wrote the screenplay for four of his older brother’s, Christopher Nolan, era-defining films: Memento, The Dark Knight, The Dark Knight Rises, and Interstellar. He also created the dark robot western Westworld for HBO with his wife, Lisa Joy. But these days, “more than almost anything I’ve done, people talk to me about Person of Interest,” Nolan said in a recent video interview from his home in Manhattan. “I wouldn’t credit us with any particular gift for prophecy. The pieces of it were right there if you cared to look at them.” Robots and forms of artificial intelligence date back into the mists of time in history, literature, and film — back to HAL in 2001: A Space Odyssey, to the invention of the term “robot” by the Czech playwright Karel Čapek in 1920, and before that to Frankenstein, the Golem, and so on. Perhaps no contemporary artist has approached artificial intelligence on such a large canvas — big American films and television — as Nolan. “For a very long time, AI has felt like the story of our time,” Nolan said. “This is the moment we get to live through: We live before the emergence of another sentient species on our planet, and it’s happening right now.” |