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Today: President Joe Biden’s team is working over the press in Delaware, Universal dials back its au͏‌  ͏‌  ͏‌  ͏‌  ͏‌  ͏‌ 
 
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January 8, 2024
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Media

Media
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Ben Smith
Ben Smith

Welcome to Semafor Media, where we are still largely staffed by humans.

More than a decade ago, the Supreme Court ruled that corporations are people. Hollywood has spent the years since reversing that formula: What if people — celebrities, that is — could be corporations?

Stars like the Kardashians, LeBron James, and Ryan Reynolds built valuable companies and taught a generation of athletes and entertainers (and agents) that they could raise millions of dollars just by saying the magic words “intellectual property” and “multiplatform.” This new celebrity-driven business model would replace the declining economics of linear television with the new horizons of digital shows, podcasts, and book clubs.

Max Tani today tells the wild story of perhaps the biggest disaster among these well-financed celebrity production companies, Will and Jada Pinkett Smith’s Westbrook. But dozens of other celebrities — and their investors, led by Blackstone — are grappling with the end of an era of magical thinking. It turned out that James and the Kardashians were brilliant exceptions. Reese Witherspoon, who sold her company for $1 billion, then reportedly missed revenue targets by a Messenger-level 90%, is the rule.

The problem is that celebrities “don’t add value across their shows,” the Hollywood publication The Ankler concluded last fall after a deep dive into the data. “The only hits these production companies have is if their stars are in them … and that’s probably not worth a billion dollars.”

There will always be rich guys willing to overpay for the privilege of hanging out with Tom Cruise at the Top Gun premiere, and who can begrudge agents and stars for finding new ways to take their money? But they will need a better pitch. There’s a basic delusion in thinking you can replace the golden goose of linear TV with literally the worst businesses in media, podcasts and book clubs.

The other problem, of course, is that when your company is a person, the value of your equity requires that your company not slap Chris Rock at the Oscars.

Also today: President Joe Biden’s team is working over the press in Delaware, Universal dials back its audio ambitions, and an egregious AI-driven website scales back after our coverage. (Scoop count: 5)

Semafor will be in Davos next month, again producing the definitive daily newsletter for the global power elite and everyone who loves to hate them. Sign up here.

Assignment Desk

The Messenger is running out of money, as Max scooped last week, and its owner is dialing for dollars. The outlet’s Trump-curious positioning has always suggested it would drift into filling the void to become a kind of newspaper of pro-Trump record. But given the financial woes facing Truth Social and other right-wing digital media, it’s not clear there’s a deal to be made there. Who wants to buy a big, formless website, and how much of their staff will they keep?

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Max Tani

The fall of Will and Jada’s media empire

Will Smith and Jada Pinkett Smith.
Michael Tran/AFP via Getty Images

The fall of 2021 was the perfect time for Will Smith and Jada Pinkett Smith to sell their media company, Westbrook. It was six months after Reese Witherspoon extracted a record $1 billion for her production company and book club, Hello Sunshine, and just a few months before The Slap.

And the couple were deep in talks with Candle Media, Hello Sunshine’s buyer, about what they thought should be a second billion-dollar deal for Westbrook, people familiar with the conversations said.

They didn’t just have Will Smith’s giant brand; Jada Pinkett Smith had pulled off the only bona fide hit on the Facebook Watch Originals platform, Red Table Talk. Candle, backed by Blackstone and led by two former Disney heirs apparent, valued the company closer to $600 million — what the Smiths saw as an insulting figure — and so the deal fizzled. Candle pitched in a mere $60 million for 10% of the company, what was seen in that moment’s bubbly economics as a kind of relationship-saving breakup fee.

In fact, the Smiths sat in the front row at the Dolby Theater on March 27, 2022, as the proprietors of a promising new business: Westbrook was on track to generate some $170 million in revenue from various entertainment production deals, including with the show Bel-Air, the movie King Richard, and a variety of series for Disney+, Apple TV, Snapchat, Netflix and Hulu. It had employed about 100 people, mostly in its Calabasas offices, and had begun building up its international business with the acquisition of the German media company Telepool.

Then, on Oscars Night, Smith famously stormed onstage in front of millions of viewers and slapped comedian Chris Rock over a joke about Pinkett Smith. What happened next, according to three people directly familiar with the company and others who worked with Westbrook, represents the worst-case scenario for a new Hollywood business model, in which big stars seek to transform themselves from talent into businesses.

Two sources with knowledge of the company’s recent financial situation told Semafor that since the incident in March 2022, Westbrook has struggled to land major deals with the streamers and other entertainment giants, forcing it to make steep cuts.

Revenue dipped last year to $75 million, Semafor has learned, forcing the company to lay off half of its employees, including much of the staff it brought on in 2021. Many of its partners also decided not to renew their existing deals with Westbrook. After Meta decided not to renew Red Table Talk, Westbrook told reporters that it was fielding inquiries for a new home for the show. One person familiar with the talks said the most serious interest came from a relatively obscure streaming platform called Fubo TV, but the property remains shelved. A Westbrook spokesperson told Semafor that Westbrook is having active conversations with several distributors for the show and has 2 current offers.

Westbrook isn’t the only production company to struggle in 2023, amid strikes and the streaming crash, and some critics are raising larger questions about whether transforming a movie star into a kind of super-producer will actually reverse the gradual contraction of the entertainment industry in the face of declining linear television revenues. But Westbrook also illustrates another danger of that model — the risks and reality distortion fields that come with celebrity.

Read on for more details on what unwound Westbrook and Max's take on the struggles similar companies face. →

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One Good Text

Cord Jefferson is the writer and director of “American Fiction,” a sly and nuanced new movie about race and hypocrisy in America.

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Plug

Semafor has partnered with Flipboard to publish to a new protocol called ActivityPub, an effort to build a new, open, “federated” internet. You can follow Semafor on your preferred fediverse instance at @Semafor@flipboard.com — or just follow us on Threads, whose operator Meta has promised to embrace the protocol.

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Intel

⁛ News

Assassination allegation: Al-Jazeera announced on Sunday that an Israeli drone strike had killed two more of its journalists working in Gaza, reporter Hamza al-Dahdouh and freelancer Mustafa Thuraya. The Qatari media network condemned the strike on their car as an “assassination,” the latest deaths in a war that has killed at least 79 journalists since October. al-Dahdouh, 27, had more than 1 million followers on Instagram. His final post was a tribute to his father, Gaza bureau chief Wael al-Dahdouh, who lost several family members to airstrikes last year and was injured in one last month. A statement from the Israel Defense Forces said of Sunday’s killing that “an IDF aircraft identified and struck a terrorist who operated an aircraft that posed a threat to IDF troops,” according to Reuters.

Presidential privilege: Biden’s re-election campaign has begun organizing a series of off-the-record trips for top political reporters and editors to the team’s headquarters in Wilmington, Delaware and meet senior officials, including the campaign manager, deputies, and other high-ranking advisors for background briefings on campaign strategy.

They’re also using it as an opportunity to tell them what they’re getting wrong. Two people with knowledge of the situation told Semafor that during meetings with reporters from outlets like The New York Times, the Washington Post, and others, campaign officials have invoked a coverage spreadsheet laying out areas where the team believes their reporting has fallen short.

In particular, campaign officials have chafed at some of the coverage of former President Donald Trump, feeling that outlets are too focused on his legal troubles and haven’t paid enough attention to some of his incendiary recent statements on the campaign trail. A source familiar told Semafor that with the exception of its recent meeting with the Times, the campaign meetings had been “substantive” and “productive,” and that Biden staffers were scheduled to meet in the coming days with political reporting teams from ABC, NBC, The Wall Street Journal, Fox, NPR, Reuters, Bloomberg, and others in Wilmington.

Neri Oxman in 2022.
Steven Ferdman/Getty Images

Business Insider insiders: Business Insider’s parent company is divided over the publication’s recent article about plagiarism allegations made against the wife of businessman Bill Ackman.

Ackman led the effort to oust now-former Harvard president Claudine Gay over plagiarism accusations, amid campus controversies around Israel and Gaza. Last week, Business Insider reported that his wife, Neri Oxman, plagiarized portions of her dissertation.

Semafor has learned that the report has caused serious divisions within the top echelons of Axel Springer, BI’s German owner. Some company leaders have debated whether Ackman’s wife was fair game for reporting, and have been concerned that the report could be construed as antisemitic and anti-Zionist. (Oxman was born and raised in Israel.)

In a statement to Semafor, Axel Springer spokesperson Adib Sisani said that while the facts of BI’s report have not been disputed, over the past few days “questions have been raised about the motivation and the process leading up to the reporting — questions that we take very seriously. Our media brands operate independently, however all Axel Springer publications are committed to journalism that meets rigorous editorial standards and processes.”

“We are going to take a couple of days to review the processes around these stories to ensure that our standards as well as our journalistic values have been upheld,” he said.

Read on for Max's take on the BI story itself and why it's caused such a stir internally. →

Small language model: If you’re interested in figuring out how to use AI in your newsroom, listen (as we do at Semafor) to our colleague Gina Chua. One tip: Language models are remarkably good at answering questions based on narrowly limited sets of data, like our Liz Hoffman’s scoops on 777 Partners.

The way we live now: Trump tries to target a judge’s family … but winds up going after esteemed New York Post legal reporter Ben Kochman instead.

⁜ Tech

Paul Singer in 2014.
Thos Robinson/Getty Images for New York Times

Six degrees of Singer: The feared activist investor Paul Singer, president of Elliott Management, keeps a low profile — but if you squint you’ll see him in every big story. The Washington Free Beacon, which he funds, unearthed some of the central plagiarism charges against former Harvard President Claudine Gay. And Kurt Wagner’s new book, Battle for the Bird, details that Singer had a central role in Twitter’s recent drama. It was when Elliott took a stake in the company in 2020 that CEO Jack Dorsey decided he would leave. Elliott’s pressure to focus on the business was “a sickening prospect” for Dorsey, “a man who viewed Twitter more as a public service,” Wagner writes. Interesting guy.(Correction: An earlier version of this item said Singer partially funded the Steele Dossier. In fact, Singer indirectly funded a firm that later commissioned Steele, but had no connection to Steele or the Dossier.)

Special FX: In December, Semafor reported that financial news website Investing.com was publishing AI-generated stories that highly resembled posts published just hours earlier by other online news competitors, including the news website FXStreet. Following the publication of our piece, FXStreet sent a cease-and-desist letter to Investing’s legal team, accusing it of copying an article about a regulatory battle between Grayscale Investments and the Securities and Exchange Commission. Investing quickly removed its similar article about Grayscale. Investing has also seemed to change tactics: A disclaimer about the site’s use of AI, which the publication had appended to hundreds of articles before our story ran, no longer seems to appear on Investing’s posts.

Is there still such a thing as a ‘platform’? The strategic legal and political ambiguity that came with platform-ness is now an utter mess — for Substack, among others. Casey Newton, whose Platformer is the platform’s newsletter of record, is threatening to leave Substack over having to share the space with extremist newsletters.

Substack “wants to be seen as a pure infrastructure provider — something like Cloudflare, which seemingly only has to moderate content once every few years,” he writes. “But Cloudflare doesn’t recommend blogs. It does not send out a digest of websites to visit. It doesn’t run a text-based social network, or recommend posts you might like right at the top.”

☊ Audio

Podcast pullback: Universal Studios’ podcast arm is being reined in. Last month, Semafor heard that USG Audio was folding. We reached out to the company, which clarified that although it was not scrapping the audio division altogether, it was “evolving” its podcast initiatives from within the USG Creative Acquisitions and IP Management umbrella, and would be continuing to acquire podcast content that could be used by the four television studios. A spokesperson for the company said that the USG had seven series in active development.

“USG Audio is designed to be a development tool for ideas and IP and isn’t considered a standalone studio business,” the spokesperson said. “It’s another resource or outlet that USG offers to our producers in sourcing IP or flexing creative ideas.”

✰ Hollywood

Big in Jeddah: Saudi money is officially “irresistible” in Hollywood, writes The Ankler’s Claire Atkinson, and the domestic film industry is getting compared to “California in the 1920s when cinema really blew up.”

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