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Designing football logos, African space school, Media Festival, Harlem’s Little Senegal. ͏‌  ͏‌  ͏‌  ͏‌  ͏‌  ͏‌ 
 
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February 18, 2024
semafor

Africa

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Alexis Akwagyiram
Alexis Akwagyiram

Hi! Welcome to Semafor Africa Weekend, where we believe stories come in all shapes and sizes. We obsess about the importance of moving beyond a single story when exploring issues related to the continent and its diaspora. That’s why we take the business of storytelling seriously — be it the increasing global visibility of homegrown literary talent or the battle between streaming companies for African audiences. But it’s worth remembering that so much of the power wielded by storytellers comes in their ability to shape what we perceive by editing snippets of reality to fit a particular narrative. That’s why this edition’s main story by Martin Siele, about the lack of African filmmakers making wildlife films, really matters.

Several African countries — like Kenya, Tanzania and South Africa, to name a few — market themselves as tourist destinations due to the breathtaking beauty of their wildlife, flora and fauna. Beyond that, the lives of plants and animals across the continent play a crucial role in scientific breakthroughs and aid our understanding of how our planet works. That’s why nature documentaries are fascinating. It’s also the reason why it matters who tells these stories, such as a tale about the migration of wildebeest through the plains of Tanzania’s Serengeti, no matter how innocuous they may seem. And, of course, there are business interests at play here too, since Western production companies have maintained a stranglehold on this genre, cutting off opportunities for local media houses.

Expect much more from the Semafor Africa team as we continue to look at the forces shaping narratives about the continent in their many forms — no matter how big or small they may seem.

🟡 Yinka will be in Nairobi this week and is keen to meet up with Semafor Africa readers. Reply to this email for more info on a gathering later in the week.

🟡🟡 And, as always, remember that you can follow us on social media here, and help spread the word with our signup here. We appreciate your support.

Stat

The record breaking fee paid for Zambian striker Racheal Kundananji by U.S. National Women’s Soccer League’s Bay FC. The transfer from Spain’s Madrid CFF made Kundananji, 23, the world’s most expensive women’s football player. It is the first time an African player, male or female, has broken the world transfer record. Kundananji signed a four-year contract with an option for a fifth year. The transfer is the latest marquee signing by San Francisco-based Bay FC which in January signed Nigerian forward Asisat Oshoala, the 2023 African Footballer of the Year award winner, from Barcelona. Kundananji scored 25 goals for Madrid CFF in the 2022/23 season, finishing as the second-highest scorer.

Credit: Brendan Moran/Sportsfile via Getty Images
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Martin K.N Siele

Why African filmmakers aren’t producing nature documentaries

Sergio Pitamitz / VWPics/Universal Images Group via Getty Images

THE SCENE

Every year, many nature and conservation films are shot in African countries and broadcast around the world, showcasing the continent’s abundance of wildlife, stunning landscapes, and cultures. But Africans are rarely responsible for these productions.

Local producers say opportunities for African filmmakers in the field are few and far between due to factors including limited access to parks and reserves, plus the prohibitive cost of equipment, production, and distribution. As a result, many of the African nature films, shows and documentaries that gain global acclaim are produced by Western production companies and media houses such as the BBC.

A number of organizations have in recent years sought to change this. Among them is Nature, Environment & Wildlife Filmmakers (NEWF), a Durban, South Africa-based nonprofit founded by producers Noel Kok and Pragna Partosam-Kok to build the capacity of African nature filmmakers. In 2022, it launched a collaborative program with the science and media nonprofit National Geographic Society to boost African nature filmmakers. The initiative dubbed Africa Refocused helps African filmmakers with access to parks, equipment, and specialized storytelling labs, such as a dive center to learn underwater filmmaking.

NEWF co-founder Noel Kok told Semafor Africa that it is also essential for African nature filmmakers to grow local audiences and demand for nature films. He noted that broadcasters and streaming platforms in Africa more readily commission entertainment genres, such as dramas and comedies, but rarely do the same for nature films.

“How do you change the story? You change the storyteller,” Kok said. “Our work is focused on changing the storyteller in Africa’s nature stories so that our perspectives as Africans are represented, and the key to do that is breaking down the barriers of entry and providing access.”

MARTIN’S VIEW

Thanks to its flora and fauna, Africa is uniquely positioned to capitalize on international demand for nature films, documentaries and TV shows. But when you think of high-profile nature film producers and presenters there are few African names or faces that come to mind. The perspectives of African filmmakers would add immense value to nature storytelling on the continent, not least thanks to their innate understanding of their country’s landscape, communities and cultures.

One way to boost this would be for local broadcasters and streaming platforms to commission and license programming by African nature filmmakers, and potentially diversify their audiences and revenues in the process. Dr. Paula Kahumbu, a Kenyan filmmaker and CEO of conservation organization Wildlife Direct, saw her documentary ‘Secrets of the Elephants’ earn two nominations at this year’s PrimeTime Emmy Awards, proving the value African nature filmmakers can offer.

The Africa Refocused program, backed by National Geographic Society, has so far supported 137 nature storytellers since its establishment, helping to create a stronger pipeline of talent and content. The American nonprofit is the parent to its higher profile NatGeo media joint venture which is one of the largest producers of wildlife documentaries and magazines in the world. In recent years it has been trying to recast itself as a more equitable player in the spaces it covers after much criticism.

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Schooled
Sean Jacobs/ FASESA

More African countries are in a race to cement their place in the space business. Over 10 countries — including South Africa, Egypt, Algeria, Nigeria, Morocco, Ethiopia, and most recently in 2023, Kenya — have launched space programs since 1999. Tanzania disclosed its intention to launch its space program, having acquired an orbit slot in its latest milestone on the path to launching the first satellite.

A new program backed by U.S. aerospace giant Boeing has invited high schools in Ethiopia, Nigeria, and Tanzania to host a five-month space program that seeks to cultivate STEM literacy, kindle interest in the space industry, and equip students with essential skills for future success in aerospace careers.

“Pathways to Space”, a strategic collaboration between Boeing and South Africa-based exploration initiative, The Future African Space Explorer’s STEM Academy (FASESA), was announced this month. The program targets 100 students in each country.

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Designed

Africa’s favorite football logos

Media Club/Creative Commons license

The colors and signs found on African football logos reflect attempts to fuse unique cultural heritage with the love of the game, a book by South African designer Peet Pienaar argues. Drawing from the legacy of five football teams, he explains how “African football logos tell a tale of identity” that cut across multiple countries.

An example is the logo of Ghana’s football team. Bearing the red, green and yellow stripes of the national flag, the emblem reinforces Ghanaian pride as one of the first African countries to become independent from colonialists. The men’s football team is called the Black Stars in direct reference to the star on the flag — a firm nod to the Black liberation movement.

Pienaar’s review includes the logos of two of South Africa’s most storied clubs, Kaizer Chiefs and Orlando Pirates, and those of Tunis-based Esperance and JS Kabylie in Algeria. Each club has its own quirk of history and connection to local lore. “Orlando Pirates took a name that was supposed to be an insult as their pride,” he says. Kabylie’s logo includes words written in Tifinagh, a script used to write the Tamazight language spoken in North Africa. It sets the club’s image apart, given the prevalence of Latin inscriptions in the logos of many a Western football club.

— Alexander Onukwue

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Weekend Reads
John Moore/Getty Images

🇸🇳 A migration crisis in Harlem, New York, is being exacerbated by an influx of West African migrants, Arya Sundaram writes in the Gothamist. Sundaram observes that Harlem’s 116th Street, also known as “Little Senegal”, has recently become an epicenter for a new wave of mostly young, male West African migrants who say they are fleeing political persecution and turmoil back home and looking for better economic opportunities.

🇬🇦 The United States has been lobbying African leaders to shun Chinese attempts to set up military bases on the shores of the Atlantic Ocean, Michael M. Phillips writes in The Wall Street Journal. Last August, U.S. Security officials confronted the now deposed Gabonese president Ali Bongo over a handshake agreement with China’s leader to secure a naval base on his country’s coastline. The plans have since stalled. U.S. officials have also flagged Chinese efforts to open a military base in Equatorial Guinea.

🇧🇫 When Burkina Faso, Mali, and Niger, three junta-led West African countries, announced they were jointly pulling out of Ecowas, the decades-old West African economic bloc, it sent a shockwave through the subregion and beyond. But the leaders intend to go even further, by raising the very real possibility of pulling out of Francophone Africa’s joint CFA currency. But, as Reuters reports and RFI concurs, it will be a lot easier said than done with a range of real and unintended consequences.

🇹🇿 Tanzania is ramping up its tourism marketing campaigns focused on China in a bid to reach pre-pandemic tourism earnings, writes Marie de Vergès in Le Monde. She notes the East African nation’s tourism officials are marketing “destination Tanzania” intensely to Chinese tourists through ad campaigns, roadshows, and relaxed visa rules. But the race to woo Chinese tourists and tap into its vast market is not unique to Tanzania. South Africa, Kenya, and Tunisia are also aggressively marketing their tourism industry.

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Week Ahead

🗓️ The second Canada-Africa Business Conference, organized by the Canada-Africa Chamber of Business in partnership with Kenya Private Sector Alliance, will take place in Nairobi. (Feb. 19-20)

🗓️ The Africa Agri Expo takes place in Nairobi with over 5,000 agribusiness and agri-professionals discussing topics including data-driven agriculture and sustainable agriculture. (Feb. 19-20)

🗓️ The Cameroon–European Union Business Week will gather public and private sector stakeholders from both sides in Yaoundé, Cameroon, to support economic relations. (Feb. 20-22)

🗓️ The Africa Media Festival 2024, a continental platform for media innovation, will take place in Nairobi. Organizers say the second edition aims to establish foundations to reshape the continent’s media landscape. (Feb. 21-22)

🗓️ The second edition of Africa’s Green Economy Summit will be held in Cape Town bringing together investors, African leaders, and policy-makers. (Feb. 21-23)

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— Yinka, Alexis Akwagyiram, Alexander Onukwue, Martin Siele, and Muchira Gachenge

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