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The intense conflict between journalists in Ukraine and the government is approaching a boiling poin͏‌  ͏‌  ͏‌  ͏‌  ͏‌  ͏‌ 
 
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June 5, 2023
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Ben Smith
Ben Smith

Welcome to Semafor Media, where I may be the last media executive who isn’t taking Ozempic.

Whose side are we on? It’s an endlessly-debated question in American politics — and a life-or-death one in Ukraine. There, foreign and local journalists’ sympathies lie largely with the victims of a Russian invasion. But their attempts to tell the truth of the front lines often run afoul of a Zelenskyy government that has proven incredibly effective at telling — and controlling — the story of the war.

As we report in detail for the first time below, the intense conflict between journalists and the government is approaching a boiling point.

ALSO BELOW: Max Tani has the latest on the rolling mess at CNN, which has entered its cringe period. And Chuck Todd, departing Meet the Press, texts me his advice for covering 2024.

We’ve also got the latest from the run-up to the Cannes Lions festival later this month. If you’re going to Cannes, or for some deranged reason wish you were, sign up with one click for our special daily newsletter on the marketing industry’s annual showcase and bacchanal.

Box Score

New Delhi: India denied visas to the last two Chinese journalists from the country, leaving the world’s two largest countries increasingly cut off from one another across their disputed border in the Himalayas. — WSJ

San Francisco: The slick news app Artifact has found a novel use for AI: Making clicky headlines more boring. — Artifact

Ottawa: Meta is threatening to block news links on Facebook and Instagram if Canada goes through with a bill that would make them pay to distribute news — a fight that would have felt higher stakes back when there was a lot of news on Facebook. — Toronto Star

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Ben Smith

Inside the high-stakes clash for control of Ukraine’s story

GOVERNOR OF BELGOROD REGION/Reuters

THE NEWS

Journalists covering the Russian invasion of Ukraine are engaged in a running, low-grade conflict with the Ukrainian government, which many believe uses access and accreditation to shape their stories.

Articles and broadcasts from outlets including NBC News, The New York Times, CNN, The New Yorker, and the Ukrainian digital broadcaster Hromadske have led to journalists having their credentials threatened, revoked, or denied over charges they’ve broken rules imposed by Ukrainian minders.

The largely unreported conflict spilled briefly into public in late May when the well-known Ukrainian photographer Maxim Dondyuk complained on Instagram that the military press office was threatening to revoke his accreditation after his haunting images appeared in a New Yorker article portraying the trench life of Ukrainian draftees on the front line.

“The authorities only allow press tours with press officers, where they show off in front of the camera and are afraid to show the real situation,” Dondyuk wrote in furious posts to Instagram, which he subsequently deleted, adding that Ukrainian authorities were threatening to strip his accreditation. “Are you ready to read only stupid propaganda?”

The New Yorker blowup is the latest in a running series of conflicts between the media covering the war and the Ukrainian authorities, which have had to ramp up a massive press operation as they fight for their country’s life against an invader four times their size. Their military press office vets journalists and issues passes which allow them to travel to certain areas, often with press handlers, and to interview officials, after signing a document stating that journalists will abide by rules outlined by the military.

One particular target of official Ukrainian ire has been the New York Times reporter Thomas Gibbons-Neff, a former U.S. Marine who covers the Ukrainian military closely, and who drew particular anger when he reported that the Ukrainians were using banned cluster munitions. He has had his credentials revoked and his renewal denied in separate incidents, a Times spokesperson said, though they were ultimately re-issued.

Another tense incident began this February, when an NBC News crew rode the train from Moscow to Crimea.

“This is our land,” a pro-Russian resident of Sevastopol told correspondent Keir Simmons for the February 28 broadcast. And her words “echoed those of most people NBC News spoke to in Crimea this week,” the network reported. The segment, conducted amid the Russian occupation, was a rare public relations coup for the Russian side.

In response to the broadcast, the Ukrainian government revoked NBC’s credentials, effectively confining their local team to a Kyiv hotel.

The Crimea visit was “a violation of Ukrainian legislation and we don’t want other Western media companies doing the same,” a foreign ministry spokesman, Oleg Nikolenko, told me Friday.

“If they want to go to Crimea to report, they can go to Crimea through Ukraine,” he said, acknowledging that because of the hostilities, “unfortunately it is currently impossible.”

Nikolenko and the official email account of the Ukrainian Armed Forces both heatedly denied they use accreditation to shape coverage.

“The Armed Forces of Ukraine do not have any tensions with the USA or any other media,” the military public relations department said in an unsigned email.

NBC did not apologize for the incident, a network official said, but pointed out to the Ukrainians that different reporting teams were involved, and eventually got its credentials restored.

A Magnum photographer, Antoine D’Agata, also lost his ability to report in Ukraine after a photo essay in the New York Times Magazine that documented soldiers’ psychological trauma from inside a mental health facility, according to Dondyuk and one other person familiar with the incident. D’Agata and Magnum didn’t respond to inquiries.

Ukrainian security services have also paid particular attention to local journalists who covered the last round of conflict in the country’s east and might have had contact with separatists, two journalists said.

The government has asked journalists seeking accreditation to take lie detector tests to prove they aren’t Russian agents, three journalists in Kyiv said.

KNOW MORE

The heated clashes have remained largely behind the scenes because the credentials are vital to report from the country, and journalists worry that a public conflict might further threaten their access. Most of the journalists from Western and Ukrainian news organizations who have clashed with their handlers spoke on the condition of anonymity.

One told me bluntly he didn’t want to be quoted in this story because “there’s very little upside and some chance that they might snatch my press credential.”

Ukrainian journalists face more intense pressure than foreign correspondents to present an optimistic view of a conflict their friends and family are dying in, noted Nastya Stanko, a correspondent for Hromadske. She was among a number of journalists, including from CNN, who had their credentials temporarily suspended after broadcasting from Kherson after the Ukrainian government had retaken it but before they had permission.

“It’s more important to have journalists who can honestly show what happens on the front lines, and I’m not sure it’s clear to everyone in the army,” she said.

BEN’S VIEW

Information has always been a weapon of war, and the government of Volodymyr Zelenskyy has been virtuosic at telling the country’s story. The Western media’s skirmishes with Ukrainian handlers reflect the underlying reality that most Western news outlets treat Ukrainian soldiers as, at some level, “our boys.”  The fights over access are familiar to US reporters from American wars. And Ukraine’s restrictions do not approach those imposed on the U.S. press in the 20th Century by its own government; the Ohio State historian Christopher Nichols noted in an interview: During the First World War, almost 100 US journalists lost “‘mailing privileges” when censors ruled they were undermining the war effort.

The journalistic tensions do reflect a deeper friction: American, French, or British journalists write for publics who are largely sympathetic to Ukraine — but whose interests aren’t identical. The subjects most likely to draw ire from Kyiv include morale, casualties, and the role of fighters with far right ties in the war effort, a favorite Russian propaganda topic.

Crimea is also high on the list. Ukrainian officials have promised to liberate the occupied territory. But they may face pressure from the West for a settlement that would leave Crimea in Russian hands.

Truth may not exactly have been the first casualty in a war that has been broadcast on social media with unprecedented clarity. But the behind-the-scenes fight for access shapes some of what Western readers see and read.

Read online for more views.

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One Good Text

Chuck Todd is a moderator on “Meet the Press.”

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Intel
Phil Mccarten/UPI/Shutterstock

CNN’s COVID Problem: The Atlantic’s Friday profile of the embattled CEO profile Chris Licht drew cringes at Hudson Yards — but also anger over Licht’s criticism of the network’s award-winning pandemic coverage.

“In the beginning it was a trusted source—this crazy thing, no one understands it, help us make sense of it. What’s going on?” Licht said. “And I think then it got to a place where, ‘Oh wow, we gotta keep getting those ratings. We gotta keep getting the sense of urgency.’”

“People walked outside and they go, ‘This is not my life. This is not my reality. You guys are just saying this because you need the ratings, you need the clicks. I don’t trust you,’” he said.

The network won multiple prizes for its coverage of Covid-19, including the Annenberg Public Policy Center’s Cronkite/Jackson Prize, which was awarded to Dr. Sanjay Gupta for his coverage “correcting Covid-19 misinformation.”

But Licht’s criticism was drawn from CNN’s own research.

Last year, CNN commissioned a survey examining viewer trust and the places where CNN was succeeding and falling short with viewers across the ideological spectrum. According to a partial copy of the report, which hasn’t been revealed before, CNN’s coverage of Covid-19 was the third leading cause of distrust in the network behind liberal bias and “the Chris Cuomo situation.”

Survey respondents of all ideological stripes criticized the network’s “overly dramatic and sensational” and “dire” reporting, the report said.

To share this story, click here.

Meet the New Underboss: CNN’s new chief operating officer David Leavy announced that he’s embarking on a listening tour to hear internal concerns about the embattled news network. But he’s already gotten an earful from some top D.C. news insiders about the cable news channel’s leader.

Earlier this year, Puck hosted an off the record dinner with Washington media executives and bigwigs, including Axios’ Jim Vandehei, Chris Wallace, Politico’s John Harris and an executive from Axel Springer, and Leavy, who was then serving as Discovery’s chief communications officer. Puck media reporter Dylan Byers and several others held forth  at length about Licht’s first year mistakes. According to two people with knowledge of the dinner, Leavy listened intently, then offered a defense of Licht, though he blamed the big-spending previous regime for many of the current problems.

Down to the Wire: Some staff at Reuters have been irked at company-wide belt tightening. Reporters at the wire service have been given new expense restrictions: According to two people with knowledge, journalists will not be reimbursed for source meals or Ubers to and from work events.

Omnipresent: Advertising holding company Omnicom is cutting back its footprint at the Cannes Lions advertising festival later this month. Last year Omnicom deployed a huge team to the festival, launching a popup daily radio show and picking up dozens of awards. But one advertising industry insider told Semafor that this year, the company will have a much lighter physical presence at the festival amid a broad downturn in the ad market.

While Omnicom may not be there at the festival in the same capacity as last year, Semafor will be! I’ll be on the ground writing about the festival’s big ideas and fun happenings (please sign up with one click and send us fun Cannes tips, scoops, and intel).

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— Ben

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